Design
Arne Jacobsen Arne Jacobsen's No. 7 chair is known for being the prop used to hide Christine Keeler's nakedness in the iconic photograph of her taken by Lewis Morley in 1963. Morley just happened to use a chair that he had in the studio, which turned out to have been a copy of Jacobsen's design. Since then 'Number 7' chairs have been used for many similar portraits imitating the pose.
The Seven has featured on the set of the BBC soap opera EastEnders.
Design

Last update at 16 · 07 · by milo

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Arne Jacobsen’s architecture is characterized by a clear design language oriented towards geometry and material.

This was derived less from the function, as is often portrayed, but arose from Jacobsen’s rigid modernist concept, to which, in private everyday life, his family also had to submit. Jacobsen was seen by critics as an architectural dictator who designed buildings so rigidly that there was no room for personal changes.

Proportions are what makes the old Greek temples classic in their beauty. They are like huge blocks, from which the air has been literally hewn out between the columns.

Arne Jacobsen design

In contrast to the architectural work, many of his design projects are strongly oriented towards organic forms. From this, Jacobsen developed objects reminiscent of the formal language of abstract art, which were characterized by a concise and clear shape.

If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect’s task – his most difficult task – is always that of selecting.

Arne Jacobsen design Gallery

Arne Jacobsen Video

Arne Jacobsen's No. 7 chair is known for being the prop used to hide Christine Keeler's nakedness in the iconic photograph of her taken by Lewis Morley in 1963. Morley just happened to use a chair that he had in the studio, which turned out to have been a copy of Jacobsen's design. Since then 'Number 7' chairs have been used for many similar portraits imitating the pose. The Seven has featured on the set of the BBC soap opera EastEnders. View article at Arne Jacobsen