The rigid rectangular form that was used to outline individual stories was also used for all elements in print design. Each photo had corners that came together at 90-degree angles. There were no soft shadows to help “lift” elements off the printed page. These effects, which have been prominent features on websites for a while, can be found in almost any book, magazine or newspaper you pick up now.
Print designers can also thank their web counterparts for eliminating the font mess. There are few restrictions to the number of and type of fonts you can use in print work; this is not the case on the web. The limited font selections used by web designers for years, has helped print designers reign in their desire to use a plethora of typefaces.
Print designers have always worked in kerning and leading. (Kerning is the space between letters and leading is the space between lines of type). But these terms are becoming replaced with letter-spacing and line-height.
Not only do the web terms sound less jargon-y, they are more easily understandable. There could even come to be a time where letter-spacing and line-height are the common design terms for print and web designers while the terms kerning and leading disappear from the vocabulary.