Last update at 31 · 01 · by milo‧‧‧ One of 808
When drawing lines, either in a linear drawing or within a texture in a tonal drawing, note that you can vary the weight of the line by lifting the pencil or pressing harder. This might seem obvious, but it is important, and most people don’t exploit line weight enough. Note the example above, which shows how lifting the pencil towards the end of the stroke can be used to give a grassy or fluffy effect. It can be useful to reduce the weight as the pencil is applied at the start of the stroke, rather than dropping it straight into full pressure.
I first started the Lee Hammond Blended Pencil Technique, graphite drawing had a looser, more impressionistic approach. Smooth blending was rarely seen. Over the years, this smooth and realistic approach has been embraced by thousands of people and become one of the most popular styles of drawing.
A mechanical side-to-side shading motion, with each stroke ending below the last as the hand is moved down the page creates unwanted bands of tone through the shaded area. To prevent this, work back and forth over the same area, randomly varying the spot where the pencil-point changes direction. Or, try using a fine circular motion. This gives a different texture.