I'm worth more dead than alive.Don't cry for me after I'm gone.Cry for me now.
Dietrich maintained popularity throughout her unusually long show business career by continually re-inventing herself, professionally and characteristically.
Dietrich landed the breakthrough role of Lola Lola, a sexy cabaret singer who causes the downfall of a hitherto respectable schoolmaster (played by Emil Jannings), in UFA's production The Blue Angel (1930).
I dress for the image. Not for myself, not for the public, not for fashion, not for men.
These days, you’d be hard pressed to find a star like Marlene Dietrich. All cheekbones and attitude, the German actress, singer, and much-copied fashion icon performed for most of her 90 years on this planet.
It’s extremely rare for a woman to have class and swagger in equal measures. Dietrich’s signature contralto voice singing cabaret songs like “Falling In Love Again” in The Blue Angel was the embodiment of wistful melancholy. But she was just as entertaining coming out of a gorilla costume and putting on a blonde afro wig in Blonde Venus.
In her later years, the glamorous star became an expert at preserving and promoting her legendary image with the help of body-sculpting undergarments, non-surgical temporary facelifts, expert makeup and wigs, and careful stage lighting.
How do you know love is gone?
If you said that you would be there
at seven and you get there by nine,
and he or she has not called the police yet
- it's gone.