Cinema, short for cinematography, is often used to refer to the industry of films and filmmaking or to the art of filmmaking itself. The contemporary definition of cinema is the art of simulating experiences to communicate ideas, stories, perceptions, feelings, beauty or atmosphere.
Last update at 23 · 01 · by milo
The release of The Godfather in 1972 was a milestone in cinema. The near 3-hour-long epic, which chronicled the saga of the Corleone family, received overwhelmingly positive reviews from critics and fetched Coppola the Academy Award for Best Adapted Screenplay, which he shared with Mario Puzo and two Golden Globe Awards: for Best Director and Best Screenplay.
However, Coppola had to face a lot of difficulties while filming The Godfather. He was not Paramount’s first choice to direct the movie; Italian director Sergio Leone was initially offered the job, but declined in order to direct his own gangster opus, Once Upon a Time in America.
There was disagreement between Paramount and Coppola on the issue of casting; Coppola stuck to his plan of casting Marlon Brando as Vito Corleone, though Paramount wanted either Ernest Borgnine or Danny Thomas. At one point, Coppola was told by the then-president of Paramount that “Marlon Brando will never appear in this motion picture”.
What happened to the guy who gave us The Godfather, Apocalypse Now and Rumble Fish?
Survided a nightmare in the Philippine jungle (see Apocalypse Now Redux), then his private insolvency has to be announced after the horrible flop The Cotton Club, and now a “movie” like Youth Without Youth?.
Where is the inspiration gone? Where are the red fish from Rumble Fish?
Where are the voluminous characters from Godfather gone?
All the faboulous work turned into an “arthouse” movie?
After pleading with the executives, Coppola was allowed to cast Brando only if he appeared in the film for much less salary than his previous films, perform a screen-test and put up a bond saying that he would not cause a delay in the production (as he had done on previous film sets).
Coppola chose Brando over Ernest Borgnine on the basis of Brando’s screen test, which also won over the Paramount leadership.