Bateman's narrative revolves around his murderous activities, and includes buying and returning video tapes.
Looking for a way to create the character of Patrick Bateman, Christian Bale stumbled onto a Tom Cruise appearance on the Late Show with David Letterman (1993). According to Mary Harron, Bale saw in Cruise ‘this very intense friendliness with nothing behind the eyes,’ and Bale subsequently based the character of Bateman on that. Interestingly, Tom Cruise is actually featured in the novel; he lives in the same apartment complex as Bateman, who meets him in a lift and gets the name of Cocktail (1988) wrong, calling it ‘Bartender’.
There is an idea of a Patrick Bateman; some kind of abstraction. But there is no real me: only an entity, something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable… I simply am not there.
The film had various problems with designer labels during production. Cerruti agreed to allow Christian Bale to wear their clothes, but not when the character was killing anyone; Rolex agreed that anyone in the film could wear their watches except Bateman (hence the famous line from the book “Don’t touch the Rolex” had to be changed to “Don’t touch the watch”); Perry Ellis provided underwear at the last minute after Calvin Klein pulled out of the project; Comme des Garçons refused to allow one of their overnight bags to be used to carry a corpse, so Jean Paul Gaultier was used instead.
While the novel “American Psycho” is set in 1989, the film adaptation is set in 1987. This is evidenced by the scene where Patrick is briefly reading Zagat’s Survey: 1987. Also, the televised speech by President Ronald Reagan, as shown the final scene of the film, also occurred in 1987 (whereas Reagan had already left the White House by the time the events in the original novel took place).
The Huey Lewis & The News song “Hip to Be Square”, which appears in the film, was initially on the soundtrack album, but it was removed shortly after release because of a lack of publishing rights. The album was recalled and reissued without the song, although some versions of the initial batch had already sold. Over the years, this incident has developed into the myth that Huey Lewis himself refused to allow the song on the album due to the content of the movie.
Bateman’s narrative revolves around his murderous activities, and includes buying and returning video tapes, making and attempting to make reservations at trendy restaurants, the pursuit of cocaine in dance clubs, dates with various women, rivalries with colleagues, parties with vacuous associates, the avoiding of Luis (a homosexual non-love interest), rivalry with Bateman’s own brother, and pointless disputes at restaurants and bars over pop culture and fashion trivia.