For Spartacus (1960), Bass as visual consultant designed key elements of the gladiator school and storyboarded the final battle between slaves and Romans. John Frankenheimer, the director of Grand Prix (1966), had Bass storyboard, direct, and edit all but one of the racing sequences for his film. For West Side Story (1961) Bass filmed the prologue, storyboarded the opening dance sequence, and created the ending title sequence.

Saul Bass: design is thinking made visual

The art of Saul Bass

otto preminger anatomy of a muder

Title Design of Saul and Elaine Bass

saul bass art

Saul Bass behind camera