Los Angeles, 2019: Rick Deckard of the LPD’s Blade Runner unit prowls the steel & micro-chip jungle of the 21st century for assumed humanoids known as ‘replicants’. Replicants were declared illegal after a bloody mutiny on an Off-World Colony, and are to be terminated upon detection. Man’s obsession with creating a being equal to himself has back-fired.
He wants to get out of the force, but is drawn back in when 4 ‘skin jobs’, a slang term for replicants, hijack a ship back to Earth. The city that Deckard must search for his prey is a huge, sprawling, bleak vision of the future. This film questions what it is to be human, and why life is so precious.news.
Do not forget the tremendous soundtrack by Vangelis and listen to some Bladerunner blues.
The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today’s CGI laden blockbusters. The new director’s cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully.
Roy Batty : I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhauser gate. All those moments will be lost in time, like tears in rain. Time to die.